Tag: mary oliver

Thank You for Paying Attention

Rachel Henry4 Comments

The poet Mary Oliver died yesterday at the age of eighty-three. As people share their gratitude for how she embraced the sacrament of existence, poetry is flooding the internet.

I got to know some of my friends from the inside out. Because of various circumstances, I learned about their interior lives—their emotions, their spiritual struggles and joys—before I knew their external details, such as where they worked or grew up.

Mary Oliver was an inside-out poet. She gave few interviews, but her poems generously offered her interior being to her readers in a way few do. I heard her read once, and she was delightfully human—both fallible, as she wondered out loud where she had put the next poem, and divine in her presence and her words.

She had the uncanny ability to marvel at nature and life in a way that revealed the beauty of it all but did not deny the harsh realities of the world. Her vision avoided getting tangled in how things should be and instead revealed the sacred nature of things as they are.

It’s hard to choose which of her poems to share, but here are a few that have meant a lot to me and so many others over the years.

May you rest in curiosity and continuing discovery, oh observer of and participant in the eternal. To whatever it is that happens after this life, you are surely now paying singular and exquisite attention.

The Journey

One day you finally knew
what you had to do, and began,
though the voices around you
kept shouting
their bad advice—
though the whole house
began to tremble
and you felt the old tug
at your ankles.
“Mend my life!”
each voice cried.
But you didn’t stop.
You knew what you had to do,
though the wind pried
with its stiff fingers
at the very foundations,
though their melancholy
was terrible.
It was already late
enough, and a wild night,
and the road full of fallen
branches and stones.
But little by little,
as you left their voices behind,
the stars began to burn
through the sheets of clouds,
and there was a new voice
which you slowly
recognized as your own,
that kept you company
as you strode deeper and deeper
into the world,
determined to do
the only thing you could do—
determined to save
the only life you could save.

 

Wild Geese

You do not have to be good.
You do not have to walk on your knees
for a hundred miles through the desert repenting.
You only have to let the soft animal of your body
love what it loves.
Tell me about despair, yours, and I will tell you mine.
Meanwhile the world goes on.
Meanwhile the sun and the clear pebbles of the rain
are moving across the landscapes,
over the prairies and the deep trees,
the mountains and the rivers.
Meanwhile the wild geese, high in the clean blue air,
are heading home again.
Whoever you are, no matter how lonely,
the world offers itself to your imagination,
calls to you like the wild geese, harsh and exciting
over and over announcing your place
in the family of things.

 

Messenger

My work is loving the world.
Here the sunflowers, there the hummingbird—
equal seekers of sweetness.
Here the quickening yeast; there the blue plums.
Here the clam deep in the speckled sand.

Are my boots old? Is my coat torn?
Am I no longer young, and still half-perfect? Let me
keep my mind on what matters,
which is my work,

which is mostly standing still and learning to be
astonished.
The phoebe, the delphinium.
The sheep in the pasture, and the pasture.
Which is mostly rejoicing, since all the ingredients are here,

which is gratitude, to be given a mind and a heart
and these body-clothes,
a mouth with which to give shouts of joy
to the moth and the wren, to the sleepy dug-up clam,
telling them all, over and over, how it is
that we live forever.

 

 

So Many Ways

Rachel Henry1 Comment

It’s National Poetry Month! I know you’ve been waiting all year for the return of the Everybody Can Love Poetry Series. It has arrived.

For those of you who started following the blog more recently, last April I posted a couple of poems each week in hopes of convincing people that there are wonderful, meaningful poems that you can understand without a degree in English. Welcome to round two.

One of the wonderful things about poems is that they are beautiful, the way a piece of music or a painting or a sunset is beautiful. I walked to my neighborhood grocery store this week right after it had rained. One of the neighboring houses was surrounded by poppies, which always display their most gorgeous side in profusion. Another house sported a few well-trimmed, carefully placed flowering bushes, and I thought, there are so many ways to be beautiful.

I think about this sometimes when I look at my cat, who is quite handsome. We think cats with all different types of coloring are cute. Black and white cats, like Tux, can have four white paws or only a couple; their faces can be all black or a little white or half white with a big freckle on the tip of their nose, and their owners think they’re adorable regardless.

But sometimes we don’t extend the same generosity to ourselves. We face ourselves in the mirror and wish this or that looked otherwise. We look at how we’ve lived our lives and how others have lived theirs and find ourselves wanting, yet if we expected a poppy to look like a rose, we’d miss its beauty.

Here’s a poem from Mary Oliver that I think speaks to how we might recognize our own beauty.

The Buddha’s Last Instruction

“Make of yourself a light,”
said the Buddha,
before he died.
I think of this every morning
as the east begins
to tear off its many clouds
of darkness, to send up the first
signal — a white fan
streaked with pink and violet,
even green.
An old man, he lay down
between two sala trees,
and he might have said anything,
knowing it was his final hour.
The light burns upward,
it thickens and settles over the fields.
Around him, the villagers gathered
and stretched forward to listen.
Even before the sun itself
hangs, disattached, in the blue air,
I am touched everywhere
by its ocean of yellow waves.
No doubt he thought of everything
that had happened in his difficult life.
And then I feel the sun itself
as it blazes over the hills,
like a million flowers on fire —
clearly I’m not needed,
yet I feel myself turning
into something of inexplicable value.
Slowly, beneath the branches,
he raised his head.
He looked into the faces of that frightened crowd.

From: House of Light

 

 

 

Messenger by Mary Oliver

Rachel Henry4 Comments

My work is loving the world.
Here the sunflowers, there the hummingbird—
equal seekers of sweetness.
Here the quickening yeast; there the blue plums.
Here the clam deep in the speckled sand.

Are my boots old? Is my coat torn?
Am I no longer young, and still half-perfect? Let me
keep my mind on what matters,
which is my work,

which is mostly standing still and learning to be
astonished.
The phoebe, the delphinium.
The sheep in the pasture, and the pasture.
Which is mostly rejoicing, since all the ingredients are here,

which is gratitude, to be given a mind and a heart
and these body-clothes,
a mouth with which to give shouts of joy
to the moth and the wren, to the sleepy dug-up clam,
telling them all, over and over, how it is
that we live forever.

“Am I no longer young, and still half-perfect?”—it’s something of a relief to know I’m not the only one.

Note: This is one in a series of poems selected to help those who may have been intimidated by poetry see that it need not be complicated to be beautiful and meaningful. The series was inspired by National Poetry Month but is extending a bit beyond.

Words to Live By

Rachel Henry10 Comments

It’s National Poetry Month! Some of you may object to that exclamation mark and think that National Poetry Month is not far removed from National Root Canal Month, but I beg a couple paragraphs’ worth of your indulgence to convince you otherwise.

National Poetry Month April 2018, poets.orgSometime before we were taught that only English teachers can understand poetry, I believe that everyone loved poetry. “Humpty Dumpty,” after all, is a poem.

In grade school, poetry is often taught first as if it were mainly a question of counting syllables and later as if it were written in a different language. Shakespeare and Chaucer wrote some amazing verses, but here are the first two lines of the prologue to The Canterbury Tales:

Whan that aprill with his shoures soote
The droghte of march hath perced to the roote.

In the midst of your years of teenage angst, unless you were a future Middle English scholar, that might not have spoken to your soul. Imagine how different your relationship to poetry might be if, instead, you’d gotten a few lines of Mary Oliver’s “Wild Geese”:

You do not have to be good.
You do not have to walk on your knees
for a hundred miles through the desert, repenting.
You only have to let the soft animal of your body
love what it loves.

Poetry is as close as we get to saying the unsayable. It’s the language to use when you most desperately need to be understood, when your heart is broken seven different ways and in the middle you find either unending despair or astonishing hope, when the beauty of a rain drop on a blade of grass has taken your breath away or reminded you of your own mortality or both.

If you like music, you like poetry. If you like the psalms, you like poetry. If you like Paul Simon, you like hard poetry. Here are a few lines from “Obvious Child” whose meaning is far from obvious (punctuation is mine):

I’m accustomed to a smooth ride,
Or maybe I’m a dog who’s lost its bite.
I don’t expect to be treated like a fool no more.
I don’t expect to sleep through the night.

If I haven’t convinced you yet, give me a month. I’ll post a beautiful and accessible poem every few days in addition to the regular Tuesday night entries. Here’s one of my favorites to start:

The Magical Eraser
By Shel Silverstein

She wouldn’t believe
This pencil has
A magical eraser.
She said I was a silly moo,
She said I was a liar too,
She dared me prove that it was true,
And so what could I do—
I erased her!