Welcoming Autumn

Autumn is always hard for me. From the end of strawberry season to getting up in the dark, nothing about this time of transition flows smoothly.

Toward the end of August I start to feel summer’s fullness slipping away. During the longest days of the year, I could sink into the world’s ripening with trust. Autumn, on the other hand, brings a death, and we never know what waits on the other side of dying, whether the small deaths scattered throughout life or the one that ends our existence.

A friend recently sent me a Rilke poem about this emptying time of year. At first glance, it’s not encouraging:

Summer was like your house: you knew
where each thing stood.
Now you must go out into your heart
as onto a vast plain. Now
the immense loneliness begins.

We may be tempted to run from the loneliness, but let’s not miss that this season invites us into the vastness of our hearts, a place we might not hang out very often. That vastness can scare us as it opens up the mystery of our selves, an uncharted territory whose exploration demands some solitude, some loneliness.

Perhaps all endings open up unforeseen space. They enlarge us in ways we could not have predicted; they tumble us into our surprisingly spacious hearts because suddenly nowhere else has anything relevant to say.

Rilke gives instructions for how to navigate autumn: “Be earth now, and evensong.” Though he warns that it won’t be pleasant—“The days go numb, the wind/ sucks the world from your senses like withered leaves.”—I love the idea of being earth, that nurturing home that accepts everything back into itself regardless of what form a life took. Whether it was kind or harsh, generative or walled in, earth waits to receive it without judgment or exception.

Summer offers us a dwelling place, but in autumn, we must become the home for all that we have been the previous year, all that is passing away within us. We must stand on that vast plain and welcome our failures and endings and missed opportunities into the soil of our hearts. It is big enough to hold them and deep enough to transform them because there, as Rilke concludes, “he who began it all/ can feel you when he reaches for you.”

Grace in Many Forms

Some days, you are wondering what to write for your blog. Then you drop your sweat-soaked underwear in the very public hallway at work after playing soccer at lunch and your young, male student assistant picks them up. And all of a sudden you have something to write about.

This is a moment without pretense. You cannot act as if you meant to do that. You cannot pretend that you’re in a position of authority over this person who, in the daily hierarchy of things, reports to you. Though not particularly graceful, this moment forces you to be quite present to reality.

“Nice,” I said.

“It’s OK,” he said, with astonishing graciousness. I held the bag of exercise clothes open, and he dropped the underwear in. Did I mention that they were bright orange?

The night before I had been listening to Jim Finley talk about his teacher, Thomas Merton’s, writings on solitude in his book Disputed Questions. Finley commented that as we come upon an awareness of our true selves, we are less and less able to give an account of what’s happening either internally or to anyone else.

I spend a lot of time explaining myself. In my head. To people who aren’t there. On topics that no one has asked about and probably never will. Apparently I want to be sure that if anyone ever questions me about anything, I have a reason that it was not my fault.

The underwear moment was a moment without explanation, without excuse. I’m not suggesting I had a deep revelation of my true self in God there in the hallway, but I did have a moment of consciously deciding there was absolutely nothing to do except be OK with what was happening. Maybe it was graceful after all because my student was kind enough to do the same. Perhaps we both took a tiny step toward the solitude Merton says unites us all.

Here is another moment of presence, perhaps gentler, perhaps not, the final poem for National Poetry Month.

After Work
by Richard Jones

Coming up from the subway
into the cool Manhattan evening,
I feel rough hands on my heart—
women in the market yelling
over rows of tomatoes and peppers,
old men sitting on a stoop playing cards,
cabbies cursing each other with fists
while the music of church bells
sails over the street,
and the father, angry and tired
after working all day,
embracing his little girl,
kissing her,
mi vida, mi corazón,
brushing the hair out of her eyes
so she can see.

-From Good Poems, edited by Garrison Keillor